http://acij.uts.edu.au/pr2k/hood.html
PR2K Public Right
to Know Conference 2001
26-28 October
2001
AUSTRALIAN CENTRE
FOR INDEPENDENT JOURNALISM
UNIVERSITY OF
TECHNOLOGY, SYDNEY
Lynley Hood
New Zealand
Author and Researcher
THE DAY I ALMOST
WENT TO JAIL & OTHER STORIES
In 1991, one of the most extensive and expensive police
investigations in New Zealand history began when the parent of a child
attending the Christchurch Civic Creche laid a complaint against the creche’s
only male teacher, Peter Ellis. One year later, Ellis and four of his female colleagues
faced 60 charges of sexual offending against 20 children. The women were discharged
pretrial. In 1993, Ellis was convicted of 16 offences against seven children
(sexual violation, indecent assault and performing, or inducing a child to
perform, indecent acts). The offences were said to have occurred at unknown
times and dates, sometimes at unknown places, over a six year period. There
were no eye-witnesses. There was no physical evidence. The verdicts were based
on the testimony of seven young children.
When the creche case arose, I was researching issues of moral
panics and urban myths. These qualities in the debate surrounding the case drew
my interest. Whether the accused were guilty or innocent was another, equally interesting,
question. I decided to make the what, how and why
of the creche case the subject of my next book.
During the seven years I spent researching and writing the book,
the creche case featured in successive legal proceedings, and became the focus of
a raging debate over the investigation and prosecution of child sexual abuse
allegations nationwide. Though I took no part in the debate, it left me in no
doubt that my book would be controversial. That attempts were made to dissuade
me from writing the book, and obstacles were thrown in my path, came as no
surprise. But I expected the real controversy to erupt when the book was
published, and the main challenges to come from people who wanted no questions
asked about the outcome of the case. In my darkest imaginings I never expected
to become embroiled in disputes with Ellis’s counsel or my own publisher prior
to the bookís publication. At the time, and in retrospect, neither dispute made
much sense, but both highlighted vital aspects of the public’s right to know.
One dispute concerned Ellisís counsel’s allegation that I
possessed a potentially explosive audiotaped interview with a member of the
Ellis jury. The existence of the tape was hearsay. The information it allegedly
contained could never have amounted to grounds for appeal. Nonetheless, the
Court of Appeal ordered me to produce the tape. This dispute raised important
questions of journalistic privilege and media independence.
The other dispute concerned my ex-publisher’s proposal to
drastically cut and restructure my manuscript. I argued that he had rejected
the work, and should therefore terminate the contract. He insisted that the
contract gave him carte blanche to alter the manuscript as he saw fit.
This dispute raised important questions of contract law, freedom of speech and the
author’s moral right to the integrity of the work.
By choice, I avoided piecemeal publicity of these disputes in the
mass media. In my view, the relevant issues require careful consideration in a more
dispassionate forum.